Canon HF10 and HF100 Review
Comments
just incase you don't know you can grab an HDMI cable for $8 shipped from monoprice.com
I mentioned that in one of my bullets, but it bears repeating. It's sad how many people must get duped into Monster-branded cables that are incredibly overpriced.
It is recommended to turn off OIS when using tripod.
That's usually true, but when you're in a situation where the wind is jostling the tripod and camera (if you have a lightweight tripod), OIS helps keep things motionless.
- The remote control's IR output is weak, and the camera's IR sensor requires the LCD display to be open because it is mounted on the inside of the display
I like to make a comment on this one. Actually you don't have to open the LCD, just position the back of camcorder to face to your remote control will do the trick ( I discovered this one by accident). I also increased the remote control power by making the remote control battery contact better. I increased the control distance from 3 ft to 15 ft or so. Another, the reason they want you to use AC power since they are afraid of corrupting file while using USB to transfer video file and battery dead in that moment. Of course, you may argue the AC power may go dead as well. Hope this help.
>> The existing video outputs will show live video, but the cost of an HDMI or component digital capture card is currently high. USB supports file transfers only, so it's not an option for live video. <<
Does this mean with a HDMI/Comp capture card an uncoded HD video signal could be recorded live to a HDD through NLE capture?
@Mr. B: Yes. I can hook up the HDMI output to my TV and watch live video coming from the camcorder, so if you have an HDMI capture card, it should be able to do that.
Hallo,
thank you for your review. Could you let me know if composite video output is working while recording? Are PAL or NTSC formats available from composite output? Thank you
Can this camcorder be connected to a standard definition tv to play video?
@Duncan: I know it outputs HDMI live, so I suspect it will also do live composite output, but I have not tested this. It looks like the camera is PAL/NTSC-specific, so you can only have one model or the other. In other words, it's hardware dependent.
@Dan: Yes, the camera has analog outputs (composite) for standard definition TVs
I just got this camera and can't figure out the 24p, 30p, and 60i settings. When I import the files everything is coming in at 29.97! Is there something I'm missing here?
@Mark: All files are recorded the same on the camera, as 60i. Here's what you end up with in the files:
Record 60i = 29.97 frames per second, with two different fields per frame. Record 30p = 29.97 fps where the two fields are captured at the same time, which prevents interlacing effects. It's not actually true 30p since each frame's data is stored as two separate fields (rather than being stored as a single progressive frame). Record 24p = 29.97 fps after the 3:2 pulldown is applied. You'll have to do an inverse/reverse 3:2 pulldown (also called reverse telecine) to get true 24p (or 23.976 fps). This stuff is all pretty silly in my opinion. If you read the HF10/HF100 manual, it refers to 30p and 24p as "PF30" and "PF24", which is their way of saying "it's not really 30p or 24p". You end up with a usable result either way, but it requires you to play tricks in post production.
Thanks for clearing that up Ethan. I think it's misleading that Canon push the 24p and 30p as features without saying the final result is 29.97. I thought I was getting actual 24p and 30p frame rate footage right up until I checked the files on the computer.
Do you have any tips for getting the file to actual 24p without too much fuss? I've looked around on the internet but many of the options seem so convoluted and involve many different programs.
@Mark: I broke down and wrote a blog post about it. This method won't pass your "too much fuss" criteria, but once you get it working it tends to be reliable, and it teaches you some helpful open-source tools along the way:
http://www.hyd
Thank you for your help Ethan, I really appreciate it!
This was Canon Canada's reply when I quizzed them about the frame rate via email: This is normal. You are correct, the ViXIA HF100 is equipped with 24p and 30p frame rate settings. Recordings made with these frame rates are converted to 60i when saved to memory. However, saved footage will reflect the "look and feel" generated by the selected frame rate. If you require footage on a 24p or 30p timeline, a reverse telecine procedure may be performed with a third party program. However, for most intents and purposes, 24p / 30p footage saved in the 60i envelope by the camcorder is not problematic.
Hi,
I bought a Canon HF10 a couple of months ago and, because the viewing angel is indeed not very wide, I am interested in buying a wide angel adaptor. Some people however tell me to be very carefull as some wide angle lenses leave like a round "frame" in the film, so that afterwards, you see the bl
Thank you for the great web site - a true resource, and one many people clearly enjoy.
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Hydrous
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